Mutagen is the third and final installment of Catalyst, bringing the two disparate plotlines of the first two entries together and answering all their burning questions (while providing some new ones too. what the fuck is a phallic eye </3 /JJJJJJ)
The main story sees Natalie attempt to find Alex, who had disappeared at the end of GTHT (SPOILERS???? SORRY LOL) with the help of a new face: Cat Ryong. Little by little we are introduced to the main antagonistic force of the series, Elise Schröder's Family. As for where Alex actually is? We'll see that too...
The parallel plot sees the height and fallout of Max and Hector's sort of pseudo-romance, and why with the presence of the Family in Max's life, it was doomed to fail. Does he have any choice but to cut the ties that bind—all of them? Are there any second chances?
Key themes in Mutagen (this also serves as a content warning): Americana, cults, death, eugenics, sexual trauma, white supremacy, homophobia, child abuse, neurodivergence.
After finding that Alex has gone missing from her apartment, Natalie briefly considers that Alex went back on what they'd agreed upon; that she betrayed her. But something isn’t right. Something happened to her. Something took Alex.
She panics. She can’t figure out for the life of her who would have done this, and why, why tonight, how, right under her nose. After a long and difficult period of reasoning, panicking, and haphazardly trying to figure something out on her own as to what happened, she realizes she has practically no leads. Not enough that she could make something of on her own. She needs help.
She finds a private investigator working independently from the police (the last thing she wants right now is to start a case ON HER NAME). The PI in question: Catherine Ryong. Natalie approaches her with Alex’s disappearance, disguising herself under the name “Talia,” and Ryong is interested. After some digging and conversation, she connects this disappearance to a group she’s encountered before—a group she’s been investigating for years: the Family.
Nat and Cat search the state together, as a ragtag pair: investigator and her loose-cannon client who work together about as smoothly as steel and sandpaper. They open up to each other a bit more over their cross-state investigation, and Natalie grapples with having something of a friend, for the first time in years—but she's careful not to get too comfy. One wrong move, one word too many, and Cat will start to suspect some things about her that Natalie does not need on her plate right now.
And where's Alex? ... catching up.
The following paragraphs contain pretty broad, thematic spoilers for the story, but this is not gonna come out in any form for a long time so idk by the time it does you might forget about all of this. do what you want forever. i love you :)
All the stuff that Wonderlands...tacitly?? (I even hesitate to say) dredges up in terms of sensitive themes and content, especially with Max being a victim-turned-agent of the Family's values (Family Values if you will), is brought to full scale in this one. We are not "suggesting" anything we are saying it full stop. The Family is evil lol. I was kind of scared in past years of explicitly making Elise a white supremacist, or eugenicist, for fear of being insensitive or even making the story uninteresting, but the only alternative to that really was just stepping around it in a way that made it kind of awkward. Racism is not like, the "goal" of the Family entirely but it is pretty foundational (even in its indirect ways) to Elise's beliefs and actions. so uh hit send on that (explosion) ptthbbt